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STELLAR FILMS

Classic Film Library

 

This is a library comprised of true Hollywood Classics and not so classic works from the so called Poverty Row Studios. Sometimes, the later with smaller budgets became audience favorites many years after their origional release. Sprinkled in are more recent releases because there are either players from an earlier era or because elements of the production destine it for eventual inclusion in the  classis's category. You might call these Star Power selections.

52 Pickup  Roy Scheider, Ann Margaret A secret fling with between a man and his mistress leads to blackmail and murder.1986 Color 111 Minutes.

A Dangerous Summer Tom Skerrit, James Mason. A Murderer... A Captive Woman ...and a Deranged Arsonist ...in a Deadly Inferno! 1981 COLOR  100 Minutes.

A Doll's House Jane Fonda, Trevor Howard. Ibsen's  lead character, Nora Helmer has years earlier committed a forgery in order to save the life of her authoritarian husband. Now she is being blackmailed lives in fear of her husband's finding out and of the shame such a revelation would bring to his career. But when the truth comes out, Nora is shocked to learn where she really stands in her husband's esteem. 1973 Color 106 Minutes.

A Gunfight Johnny Cash, Kirk Douglas, Karen Black. In Bajo Rio, they pay to see a man kill a bull. Today, they'll pay to see a man kill another man, was the tag line used to advertise this film. Kirk Douglas ( a retired gunman sick enough of his life ) and Johnny Cash ( a weary gunslinger who knows that even if he wins, he will eventually lose) are two famous, veteran gunfighters who provide their talent as 'the quick & the fast'. The place chosen for the shoot out is a bullfight ring. 1971 Color 89 Minutes.

A Killing Affair Peter Weller, Kathy Baker. A wife helps protect her abusive husband's killer. Color 1986. PG

A Tattered Web Lloyd Bridges, Broderick Crawford, Ellen Corby, Frank Converse, Murray Hamilton. A detective discovers his son-in-law is cheating on his wife. He confronts the other woman and accidentally kills her, then tries to pin the crime on a local derelict. Made for TV Movie on CBS. 1971 Color 90 Minutes

All The Kind Strangers Stacey Keach, Samantha Eggar, John Savage, Robbie Bensen. A family of orphans has a grisly plan for finding new parents. They lure people home to replace their dead parents. Candidates who don't measure up disappear forever. 1974 Color 73 minutes

A Time To Kill with Nicholas Cage. From "The Short Cut" a young soldier life takes a terrible turn when he gets lost in Africa and has sex with a native girl.. Color 1991

A WALK IN THE SUN Dana Andrews, Lloyd Bridges, John Ireland, Richard Tyne, Richard Conte, Sterling Holloway. In the 1943 invasion of Italy, one American platoon lands, digs in, then makes its way inland to attempt to take a fortified farmhouse, as tension and casualties mount. Unusually realistic picture of war as long quiet stretches of talk, punctuated by sharp, random bursts of violent action whose relevance to the big picture is often unknown to the soldiers. The narration is by Burgess Meredith and there is a folk ballad score sung by Earl Robinson. One of the best war films ever produced. It is the proud achievement of Lewis Milestone a veteran of films since the twenties, his credits included "All Quiet On The Western Front", "The Front Page", and "Of Mice and Men". 1947 B&W 117 minutes (From our stunning 35mm print)

Abaraxas Guardian of the Universe Guardian of the Universe Jim Belushi, Jesse Ventura, Jerry Levitan. In a distant galaxy, a legion of supermen known as finders are developed to police the universe. It is their vow to defend all life. What happens when one goes wrong is the basis for this science fiction action film. 1991 color 90 Minutes.

ABILENE TOWN (1946)  Starring: Randolph Scott, Ann Dvorak, Edgar Buchanan, Rhonda  Fleming, Lloyd Bridges. A tolerant sheriff in a remote, post-Civil war Kansas town  tries to straighten out a deadly conflict between cattlemen and homesteaders. Written by Ernest Hay B&W.  Running Time: 90 mins.  

Absolution Richard Burton. A boyhood prank goes  horribly wrong. A student confesses to a grizzly murder. There is a killing ... but was there one at the time of the confession? And who actually is  responsible? Very suspenseful film. Color

Adventures of Heidi  Burl Ives, Kathy Kurtzman.. Warm hearted retelling of the family favorite. In this film Heidi leaves the Alps and goes to New York. 1978 COLOR 82 Minutes.

After The Fall of New York George Eastman, Michael Sopkiw, Valentine Monnier. After a nuclear war, society breaks down into two groups, the evil Euraks and the rebel Federation. A mercenary named Parsifal is hired by the Federation to infiltrate New York City, which is controlled by the Euraks, to rescue the only fertile woman left on Earth. 1983 Color 81 Minutes.

AMAZING ADVENTURE Cary Grant . Ernest Bliss is a rich young man with too little to do. Not realizing the depression he's in is due to boredom, Ernest consults a doctor. Sir James Aldroyd gives Ernest a prescription that he doesn't think Ernest can fill: Ernest must earn his own living for one year using none of his current wealth. Ernest bets him 50,000 English pounds that he can. AKA The Amazing Quest. 1936 B&W 61 minutes

AMAZING MR. X, THE (1948, BW, 78 MIN) Turhan Bey, Lynn Bari, Cathy O'Donnel, Richard Carlson, directed by Bernard Vorhaus. A fraudulent spiritualist involves an unsuspecting widow in blackmail, and then a murder.

AMERICAN EMPIRE (1942)  Director: William C. McGann Richard Dix, Preston Foster, Leo Carrillo, Frances Gifford,  Guinn "Big Boy" Williams. Three Civil War veterans strive to build a cattle empire, but one becomes greedy and tries to take over. B&W.  Running Time: 82 mins.    

ANGEL AND THE BADMAN John Wayne, Gail Russell, Bruce Cabot, Harry Carey, Irene Rich, directed by James E. Grant. The Duke plays a notorious gunman, who after being seriously wounded, is nursed back to health by a Quaker woman. He then must choose between love and gun fighting.  1947 B&W 100 Minutes 

ANGEL ON MY SHOULDER Paul Muni, Claude Rains. Directed by Archie Moore. Murdered gangster comes back to earth after making a deal with the devil. Morality play. 1946 B&W 101 minutes.

Assassin Robert Conrad, Karen Austin, Jonathan Banks. A retired agent from an Intelligence Agency is contacted by the Agency in order to stop an ultra-secret robot who is killing some government officials. That will be not an easy task, because the robot looks human and it was specifically built to be an efficient killer, not to mention that it is almost invulnerable. The retired operative, played by Robert Conrad, trails the cyborg and tries to destroy it. Directed by Sandor Stern. Made for TV 1986 Color 74 Minutes.

Assassination with Charles Bronson and Jill Ireland. Bronson is assigned to protect the President's wife from killers. Cross country pursuit provides plenty of suspense and action in this first rate film. PG

Bailout David Hasselhoff, Linda Blair, Tony Brubaker,Thomas Rosales Jr.  Bail bondsman tries to keep witness in drug trial alive to testify. 1989 Color 90 Minutes.

Battle Force Stacey Keach, Henry Fonda, Helmet Burger, Samantha Eggar, Orson Welles. A story of how World War II affected the lives of a German family and an American family, both of whom had sons and fathers fighting in the war. 1977 Color 90 Minutes

Battle of Commandos Jack Palance, Thomas Hunter. Irish Colonel Charlie McPhearson has just had his platoon of twenty-eight slaughtered by German troops. Angered at his superiors for this suicide mission, he takes convicts on his next, along with fornicating American explosives technician Major Burke, to defuse underwater mines so that a commando squado can prepare for a June 10 invasion to destroy a tank gun. 1969 Color 94 Minutes.

BEACHCOMBER, THE (1938, BW, 87 MIN) Charles Laughton, Elsa Lanchester, directed by Erich Pommer. Disheveled bum, Laughton, living on an island paradise, is reformed by missionary Lanchester. The two stars (married in real life) are delightful in this film version of a Somerset Maugham story. GB

BEAT THE DEVIL Humphrey Bogart, Gina Lolabrigida, Jennifer Jones and Robert Morley. John Huston and Truman Capote created this off beat satire of the fabled Bogart films like the "Maltese Falcon" Huston Directed this low key comedy which was shot in Italy. The New Yorker Magazine hailed this film as hugely entertaining. 1954 B&W 92 Minutes.

Behave Yourself Shelly Winters, Lon Chaney Jr., Elisha Cook, Jr.  Farley Granger. a cute Welsh terrier follows Bill Denny home, little does he know that all gangland has its eye on that dog. Who will be bumbling Bill's undoing - the gangsters, the cops, or his suspicious mother-in-law? 1951 Color 81 Minutes  

BELA LUGOSI MEETS A BROOKLYN GORILLA 

Beneath 12 Mile Reef Robert Wagner, Terry Moore, Richard Boone and Peter Graves. It's "Romeo and Juliet" among the risk taking sponge divers of the Florida coast. Wagner and Moore are young lovers who come from rival diving families. Excellent under water scenes including a battle with an octopus highlight the drama. 1953 Color 101 minutes

BEYOND TOMORROW Richard Carlson, Jean Parker, C. Aubry Smith, Charles Winninger, Harry Carey Maria Ouspensakaya. An RKO Film. Directed by Eric Southrland. Three elderly wealthy men introduce a couple on Christmas eve (Carlson and Parker) which spawns a romance. The three men are later killed in a plane crash but guide the lovers from  beyond. This film is known for very effective scenes with the men superimposed in the stars. When the couple has a difficult time one of the ghosts risks his chance at heaven to help in this touching yuletide story. 1940 B&W 84 MIN

BIG LIFT, THE Montgomery Clift, Paul Douglas, Cornell Borchers, O.E. Hasse, directed by George Seaton. Clift portrays an air crewman and Douglas is an air traffic controller during the Berlin airlift. They each become involved with German women, but in a different manner and with different results. This was filmed on location in 1950 Berlin, and the utter destruction of the city is evident. Seaton uses real soldiers and Berlin citizens in the film adding to the realism. Charles Clarke’s cinematography sets the mood of the film much as it did in Suddenly (1954 with Frank Sinatra and Guadalcanal Diary in 1943. The Airlift was America and it's allies Great Britain and France in a joint effort to airlift supplies into Berlin after Stalin closed off ground access to Berlin in an effort to force the other three occupying powers out of Berlin. It was a great propaganda victory for the west at the beginning of the Cold War. Fed a hungry city at the same time calling Joe Stalin's bluff. One Harry Truman's best decisions as President. 1950 B&W 120 minutes.

BIG TOWN AFTER DARK Phillip Reed, Hillary Brooke, Based on the radio show with Steve Wilson the crusading news paper editor of a paper known as The Illustrated Press. When Lorelei Kilbourne (Hillary Brooke) leaves her job as the police reporter for the Illustrated Press, Managing Editor Steve Wilson (Philip Reed) employs the publisher's niece, Susan Peabody (Ann Gillis), to replace her. Susan becomes involved with gangsters in plotting a $50,000 swindle against her uncle, which Steve and the returned Lorelei uncover. 1947 B&W 69 minutes

BIG TREES, THE,  Kirk Douglas, Edgar Buchanan, Alan Hale Jr., Ellen Cory.  In the early 1900's an unscrupulous timber baron plans to make millions off California redwood.  Much of the land he hopes to grab has been homesteaded by a Quaker colony, who try to get him to spare the giant sequoias.  Digital Master.  1952 Color 79 Minutes.

BIG WHEEL, THE (1949, BW, 92 MIN) Mickey Rooney, Thomas Mitchell, Michael O'Shea, Spring Byington, directed by Edward Ludwig. Rooney, a daredevil race car driver, with a none too good reputation, races at Indy and comes in third. But character is built.  

BLACK BOOK, THE Robert Cummings, Richard Basehart, Arlene Dahl, Beulah Bondi. True film noir, that densely urban, disillusioned body of work characterized by the deep shadows that separate the characters from each other and isolate them from society, was almost always set in contemporary cities... in France before WWII and in America after it. Anthony Mann's The Black Book (aka Reign of Terror) is one of its finest examples, a costume thriller set in the French Revolution, and somehow managing to create the visual style and emotional mood of true film noir in a completely atypical setting. This is a film to watch for its cinematic, visual brilliance. Anthony Mann's taut and claustrophobic work (rather at odds with the usual French Revolution epic, and with Mann's later work in other genuinely epic-scale costume dramas) draws a compelling parallel between the atmosphere of fear in post-revolutionary France and in mid-20th century McCarthyite America. 1949 B&W 

BLACKMAIL,  Director Alfred Hitchcock, Army Ondra, John Longdon. Hitchcock's first sound production was this taut murder. B&W GB  

BLONDE IN BONDAGE Mark Miller, Anita Thallaug American reporter doing a story on Swedish nightlife gets involved with a drug-addicted nightclub singer. Swedish 1957 BW 87 Minutes

BLONDE SAVAGE  Leif Erickson, Gale Borg, Frank Jenks, Douglass Dumbrille. Diamond mine owner Mark Harper (Dumbrille) hires pilot Steve Blake (Erickson) and his pal Hoppy Owens (Jenks) to search for a hidden jungle village from which the natives have made trouble for his mine operations. They crash near the village and discover that Meelah (Gale Sherwood), a white girl brought up by the natives after her parents had been killed for their property by Harper, is the head of the village. Returning to the mine, Harper, already suspicious of what they may have learned and jealous of the attention his wife, Connie Harper (Veda Ann Borg), is paying to Steve, has them jailed, while he leads an expedition against the village and Meelah. 1947 B&W 62 minutes.

Blood Tide James Earl Jones, Jose Ferrer, Mary Louise Weller. An American treasure hunter (James Earl Jones) awakens an ancient sea creature who has been resting for centuries near the shores of a Greek island. It's up to the island's lifelong residence to stop the creature from executing it's wrath on humanity. One man in particular (Jose Ferrer) has been studying the history of the monster, and now his knowledge is nothing less than imperative to the villager's survival. 1982 Color 82 Minutes

Blunt, The Fourth Man Anthony Hopkins, Ian Richardson. Based on true saga of four  British Spies at Cambridge (Blunt, Burgess, Maclean, Philby and Cairncross) and their impact on world history. 1985 Color 

BONNIE PRINCE CHARLIE David Niven, Jack Hawking, Margaret Leighton. Story of Prince Charles of 16th Century Scotland. Well staged battle scenes. Color Digital Remaster 1948 Color 136 minutes. GB

BORDERLINE (1950, BW, 90 MIN) Fred MacMurray, Claire Trevor, Raymond Burr, Roy Roberts, Jose Torvay, Morris Ankrum, directed by William A. Seiter. A determined policewoman goes undercover to investigate a narcotics ring operating between Mexico and Los Angeles.

Boy In The Plastic Bubble John Travolta. Glyniss O'Conner, Robert Reed, Ralph Bellamy, Dianna Hyland, Karren Morrow. Based on a true story, Tod Lubitch is born with a deficient immune system (not unlike being born with AIDS). As such, he must spend the rest of his life in a completely sterile environment. His room is completely hermetically sealed against bacteria and virii, his food is specially prepared, and his only human contact comes in the form of gloved hands. The movie follows his life into a teenager. Produced by Arron Spelling ABC Television. 1976 Color 100 Minutes

BOY WITH GREEN HAIR Pat O'brien, Dean Stockwell. A lesson in  tolerance in this classic MGM film. Peter Frye, typical American boy, is orphaned when his parents are caught in the London Blitz. He is not told of their fate, but shuttled from one selfish relative to the next, ending with "Gramp," a kindly ex-vaudevillean. Peter and Gramp, both fond of "Irish bulls," get along fine; but the morning after Peter finally learns he's an orphan, his hair spontaneously turns green! The absurd over-reactions of stupid people overturn his life as the story becomes a parable and a powerful anti war and anti hate film. Brilliant color print from 35 mm. 1948 82 minutes  

Broken Harvest  Colan Lane, Joe Jefers, Marian Quinn, Darren McHugh,Joy Florish.  A moving and dramatic story set in Ireland and New York; This film traces an old feud between two neighbors through seventy years of Irish history. Aurthur O'Leary and his neighbor, fought each other in the Irish Civil War and fought for the love of Catherine. In the 1950s the old wounds are reopened unwittingly by Arthur's son.. The eruption that follows threatens the stability of the whole community with clear echoes of the Northern Ireland conflict. 1994 Color 98 Minutes Rated PG

BULLDOG DRUMMOND COMES BACK John Howard, John Barrymore, J. Carrol Naish, Heather Angel. The girlfriend of Captain Drummond is being kidnapped by an enemy of Drummond who seeks revenge. But Drummond and his friend Colonel Nielsen at once follow his trail. 1937 B&W 74 minutes

BULLDOG DRUMMOND ESCAPES Ray Milland, Reginald Denny, E.E. Clive,Guy Standing, Heather Angle. Captain Drummond becomes a prisoner when he intends to protect a beautiful heiress of an espionage organization. The first of a series of Bulldog Drummond films released by Paramount Pictures, starring first Ray Milland, then John Howard as Captain Hugh C. Drummond. The  series captures the spirit of the classic mystery/adventure novels by H. C. "Sapper" McNeiles. Ray Milland is Drummond, and is excellent in the role, but Miland was too big a star to remain tied to one character for more than one movie, so John Howard (later to play Sherlock Holmes) took over for the subsequent seven films. E.E. Clive is Drummond's indispensable and imperturbable valet Tenny (inexplicably changed from Denny in the books). Clive also kept his role throughout the entire series. So, anyone who is a fan of the Drummond books, should, if they want to see the best screen treatment of their hero should see this installment.. 1937 B&W 67 minutes

BULLDOG DRUMMOND IN AFRICA John Howard, Heather Angel, Anthony Quinn, H. B. Warner, J. Carrol Naish.  As his wedding to Phyllis Clavering approaches, 'Bulldog' Drummond has taken extreme precautions to avoid getting caught up in another adventure that would delay the wedding. But even as they make their final preparations, their friend Colonel Neilson is being kidnapped by a gang headed by the traitorous Richard Lane. Phyllis witnesses the abduction, and quickly finds Drummond to tell him. They track the gang to Morocco, where they will face many obstacles to their goal of rescuing Neilson. John Howard plays "Bulldog," which is something of a misnomer as played here because he's rather quiet, handsome & shy, not what one would expect from a "bulldog." Heather Angel matches well with Howard as his Fiancée in Perpetuity. The movies have charm, wit, a bit of mystery, & solid acting.  1938 B&W 60 minutes

BULLDOG DRUMMONDS BRIDE

Callie & Son with Lindsey Wagner, Dabney Coleman and Michelle Pfeiffer. An unwed mother forced to give up her child and is cheated by a phony private investigator. Later she marries a wealthy publisher and continues her search for her child. 1981 Color 142 Minutes PG

CATHERINE THE GREAT Douglas Fairbanks, Flora Robson. Shy young girl is treated poorly by the Royal family but goes on the be the greatest Russian Tsarinas. In 1745 a German princess, renamed Catherine, arrives to marry Grand Duke Peter of Russia, whom she initially likes. But his suspicious, unstable nature gradually estranges them, and Peter finds solace with pretty courtiers. Catherine invents her own (fictitious) lovers, temporarily improving matters. Alas, accession to the throne brings out the worst in Peter, and loyal Catherine is urged to assume power.  Remaster 1932 B&W 92 minutes GB

CHECK AND DOUBLE CHECK (1931, BW, 77 MIN) Freedman Gosden, Charles Correll (as Amos and Andy), Sue Carol, Irene Rich, Charles Norton, Ralf Harolde, Duke Ellington and his Orchestra, directed by Melville Brown. The well meaning pair get concerned over a deed to some property, and the love affair that begins because of it.  

CITY WITHOUT MEN Linda Darnell, Margaret Hamilton, Edgar Buchanan. A young woman's husband has been imprisoned for a crime he didn't commit. In order to be near him to try to help him get his sentence overturned, she moves into a boardinghouse near the prison whose residents are the wives of inmates. 1943 B&W 75 min.

D.O.A. (1949, BW, 88 MIN) Edmund O'Brien, Pamela Britton, Luther Adler, Neville Brand, Henry Hart, Virginia Lee, directed by Rudolp h Mate. The recipient of a dose of time released poison sets out to locate his killer before time and his life run out. 

DARK HOUR, THE  Hedda Hopper,  Ray Walker, Irene Ware, Berton Churchill. A pair of detectives investigates the murder of an elderly millionaire who was the target of blackmail and death threats and find that there is no shortage of suspects, many of them in the victim's own family. Chesterfield Studio does it again--a tidy whodunit that, surprisingly, holds up pretty well despite its age. The race between the two detectives is quite droll and interesting; it shows, once again, that the fundamental lesson of integration between the old and the new still applies--regardless of decade and/or century. 1936 B&W 63 minutes

DARK JOURNEY (1937, BW, 75 MIN) Vivien Leigh, Joan Gardner, Conrad Veidt, Anthony Bushell, Ursla Jeans, directed by Victor Saville. A sophisticated drama of espionage and romance. Leigh plays the role of a double agent whose front is an upscale shop in Stockholm. The head of the German SS suspects her loyalties but falls in love with her. Clever plot. GB  

DEADLY COMPANIONS, THE, Maureen O'Hara, Brian Keith. Sam Peckinpah made his directing debut in this excellent western adventure concerning an ex‑soldier/gunslinger who makes amends to a family of a man he killed. 1961 Color USA  

DEATH FROM A DISTANCE Russell Lane, Lola Lane. While a distinguished astronomer is giving a lecture in a planetarium, a shot rings out and one of the audience members is found dead. A tough detective and a brassy female reporter lock horns as they both try to break the case. Every stereotype from that era is present: smart detective and dumb as dishwater detective, hardboiled city room editor and ambitious female reporter, gentle Viennese scientist and the "Hindu," a man with a past. And there's more. Good effort from a small studio. This film used props which were also used in "The Invisible Ray". 1935 B&W 68 minutes

DETOUR (1945, BW, 69 MIN) Tom Neal, Ann Savage, Claudia Drake, Edmund MacDonald, Tim Ryan, Ester Howard, directed by Edgar G. Ulmer. Tag line for this film was ...  He went searching for love... but Fate forced a DETOUR to Revelry... Violence... Mystery! A down and out Greenwich Village piano player becomes involved with a seductive mystery woman and two murders as he hitchhikes to the west coast.

DIVORCE OF LADY X,  Merle Oberon, Laurence Olivier A sophisticated romantic comedy which concerns a young divorce lawyer defending himself. We own the best copy of this film known to exist. Laurence Olivier plays Logan, a barrister who falls in love with Leslie (played by Merle Oberon), the woman he thinks his client will soon be divorcing. Fogbound in a hotel, Leslie Steele tricks handsome, cynical divorce lawyer Everard Logan into sharing his suite. She lets him think she's married; next day Lord Mere, whose thrice- divorced wife spent the night with a man in the same hotel, comes to Logan for a divorce! Leslie delightedly teases Logan with her imaginary scandalous past, while fascinating him irresistibly. Then she joins forces with the real Lady Mere...1938 Color 92 minutes GB  

DR. KILDARE'S STRANGE CASE Lionel Barrymore, Lew Ayers, :LAurane Day. Young Dr. Kildare is still being trained at General Hospital by old, crusty Dr. Gillespie. This time, he tries to rehabilitate Gregory Lane, a brain surgeon depressed over losing too many patients (and incidentally Kildare's romantic rival for nurse Mary Lamont). Lane's losing streak takes a new turn when one of his patients survives...but seems to be insane. Or is the man's strange obsession with Friday the clue to a mystery? To find out, Kildare must take a terrible risk. Perhaps one of the finest cast series ever produced. 1940 B&W 77 minutes

DRUMS IN THE DEEP SOUTH  Barbara Payton, James Craig, Guy Madison, Craig Stevens, directed by William Cameron Menzies. The deep friendship of three West Point graduates is torn apart by the Civil War. They come together during Sherman's drive through Georgia when the northern officer, Madison, must blow up a mountain killing his former buddies, Stevens and Craig.   1951 Color 87 Minutes

DRUMS OF AFRICA Buster Crabbe and Charles Middleton meet again. 1941 B&W 

DRUMS OF JEOPARDY Warner Oland, June Collier, Mischa Auer. Oland stars as Dr. Boris Karloff, a man out to avenge his daughter's suicide by killing off a Russian noble family that he holds responsible for her death. Warner Oland soon after this movie became famous in his portrayal of Charlie Chan in a series of movies about a famous Chinese detective and the mysteries he solves. Clara Blandick, the future Auntie Em in the Wizard of Oz plays a great character in a supporting role and is excellent in bringing comic relief to this little known drama from Tiffany Studios. AKA The Mark of Terror. 1931 B&W 71 minutes.

ELLIS ISLAND 

ENTERTAINER, THE (1960, BW, 97 MIN) Laurence Olivier, Joan Plowright, Alan Bates, Albert Finney, Shirley Anne Field, directed by Tony Richardson. Olivier plays the role of Archie Rice, a has-been that never was, a third rate vaudevillian who plays the music halls when they were in their decline. His character has no redeeming qualities; he's rotten to everyone ... his children, his alcoholic wife, his dying father, and the parents of a beauty contestant he's dallying with. Olivier is brilliant. The shabby surroundings of the music hall, the seedy sea side resort town, the dismal house the family lives in, all work well in telling the story. GB

ETERNALLY YOURS (1939, BW, 91 MIN) David Niven, Loretta Young, Hugh Herbert, Billie Burke, Broderick Crawford, Zasu Pitts, directed by Tay Garnett. A magician can't make lipstick stains vanish before they break up his marriage...but intends winning his wife back at any cost, before she carries out plans for a second husband. Zany characters, hair raising escape acts, romantic mix‑ups, and stinging dialogue delivered by a great cast.

EVIL MIND (1934, BW, 68 MIN) Claude Rains, Fay Wray, directed by Maurice Elvey. A phony psychic develops frightening powers to make predictions which get him into a great deal of trouble. Bizarre courtroom scenes with odd legal maneuvers being employed to set him free. AKA "The Clairvoyant"  

FABULOUS DORSEYS  Jimmy and Tommy Dorsey, Paul Whitman, Charlie Barnet, Ray Eberly, Helen O'Connell and a score of jazz greats play themselves. Also in the cast Janet Blair, William Lundigan , Arthur Shields. This is story of the  rise of the Fabulous Dorsey brothers is charted in this whimsical step down memory lane, Tommy and Jimmy Dorsey play themselves in this vehicle for their excellent music. From being raised by their father who insists on them learning music, to the split that just saw their careers rise even further.  1947 B&W 88 minutes

FATHER'S LITTLE DIVIDEND Spencer Tracy, Elizabeth Taylor, Joan Bennett, Don Taylor, Billie Burke, directed by Vincente Minnelli. A sequel to "Father of the Bride" and one of the rare times the sequel stands up to the original. Father Spencer Tracy has finally achieved peace and quiet, having married off Elizabeth Taylor. But the madhouse resumes when a grandchild is expected and Tracy becomes a devoted grandfather, much to his own surprise. 1951, BW, 81minutes

FIGHTING CARAVANS (1930) Gary Cooper, Lili Damita, Ernest Torrence, Tully Marshall, Fred Kohler, Frank Campeau. Young frontiersman joins a wagon train to California to keep  from going to jail, talking a French lass into posing as his wife. Eventually he  must take responsibility as the sole scout when the natives attack. From the novel by Zane Grey. B&W.  Running Time: 80 minutes.

FLAME OVER INDIA (1960, COLOR, 130 MIN) Lauren Bacall, Kenneth More, Herbert Lom, Wilfrid Hyde-White, directed by J. Lee Thompson. During a Moslem uprising in India, a professional soldier spirits a Hindu prince and his American governess to safety aboard a rusty old train. Loaded with action and suspense. (AKA Northwest Frontier). GB  

FRECKLES COMES HOME 

GAMBLING WITH SOULS  Martha Chapman, Wheeler Oaklman, Edward Keene. The highly-publicized success in 1936 of Thomas E. Dewey in disassembling the vice-focused operations of "Lucky" Luciano spawned a raft of exploitative films such as this one (also titled VICE RACKET), an advertisement for which states "Soiled souls in the marts of a great city......sensational events as recently seen in the nation's headlines", a popular item for many years in those side street theatres that presented movies showcasing flesh and decadence while ostensibly offering an "educational" service to alert audiences of the wages of sin and lust. Although in love with her financially straitened surgeon husband, Mae Miller (Martha Chapin) becomes frustrated because with only a budding practice, he cannot provide for her those luxuries that her friends enjoy, and she is easily lured by an acquaintance to an illegal gambling establishment where she soon becomes addicted to the feckless thrill of wagering, that leads to more dire events after she falls into a state of substantial indebtedness to the club's crafty owner. This is Lucky Wilder (Wheeler Oakman) who places extreme pressure through a threat of blackmail upon Mrs. Miller since her debt to him has exceeded $10000, an enormous amount during the Great Depression, and Mae is compelled to become a call girl for Wilder in order to pay the vice master what she owes him, but events still worsen for the doctor's wife when her younger sister Carolyn (Gay Sheridan) is entrapped in the same manner. The scenario is related in flashbacks, with a District Attorney's office as setting of the present where Mae is being grilled as an accused murder suspect, characterized by the D.A. as "You who thrive on the slime of life", and yet the case has not been decided for Mae Miller in this quite sleazily-toned but competently constructed low-budget potboiler that is well-edited and ably directed by Elmer Clifton, who in his palmy days had been a favoured director for the Gish sisters, with perky Sheridan and well-practiced villain Oakman both convincing in their roles. 1935 B&W 70 minutes.

GHOST AND THE GUEST  James Dunn, Mable Todd. This comedy was written by Morey Ansterdam who played a comedy writer on the Dick Van Dyke TV series decades later.  A newlywed couple winds up spending their honeymoon night in an old, dark, spooky mansion. This movie does manage to keep your interest though and the comedy still comes through. The acting wasn't bad at all, and the strange assortment of characters was interesting. The plot is not believable but this is forgiven in the interest of comedy. It's a short, fast moving comedy that should be taken lightly and enjoyed for what it is. (Funny) 1943 B&W 61 minutes 

GREEN EYES  Shirley Grey, Charles Starrett. British mystery thriller. The owner of a large mansion in the country throws a costume party for some of his friends. However, the party turns sour when he is found stabbed to death in a closet. The police and a guest try to discover who committed the murder. 1934 B&W 68 minutes.

GREEN GLOVE, THE (Glenn Ford, Geraldine  Brooks, Cedric Hardwicke.  In World War II France, American soldier Michael Blake captures, then loses Nazi-collaborator art thief Paul Rona, who leaves behind a gem studded gauntlet (a stolen religious relic). Years later, financial reverses lead Mike to return in search of the object. In Paris, he must dodge mysterious followers and a corpse that's hard to explain; so he and attractive tour guide Christine decamp on a cross-country pursuit that becomes love on the run...then takes yet another turn. 1952 B&W 88 Minutes

GUNG HO Robert Mitchem, Randolph Scott, J. Carol Nash, Rod Cameron, Noah Berry, Jr, Alan Curtis, Grace McDonald, Sam Levene. Seven weeks after Pearl Harbor, volunteers form the new 2nd Marine Raider Battalion whose purpose is to raid Japanese-held islands. The men selected come from different walks of life but have toughness in common. Under command of Colonel 'Thorwald', they're trained in all imaginable forms of combat. Then, after a perilous submarine journey, they face a daunting first mission: to annihilate the much larger Japanese garrison on Makin Island, in a lengthy battle sequence. 1943 B&W 88 mins 

Guns Of Diablo with Charges Bronson. He was the  fastest gun alive. PG

HAND, THE,  Derek Bond, During World War II, a group of British soldiers are captured by the Japanese, tortured and their hands are cut off. Years later, a mad killer terrorizes London by cutting off the hands of his victims. 1960 B&W 61 minutes

HE WALKED BY NIGHT Richard Basehart, Jack Webb, Scott BradyWhen a police officer is gunned down by a man whom he had stopped to question, a city-wide dragnet fails to catch the shooter, leaving the police with only minor clues to go on. Later they discover that the same man has been selling stolen equipment through an electronics dealer, and they set a trap for him. But he shoots his way out of the trap and escapes. The police must piece together a description of the man's appearance and habits from witnesses and a few small clues, as they search untiringly for a dangerous and very resourceful criminal. The realistic technique of this movie was so innovative, that Jack Webb (who has his first good-sized role in this movie) used this technique in making his 1940s radio show "Dragnet." When he brought "Dragnet" to television in 1951, the style of the show influenced countless other shows, launching realistic police drama in television. This realistic style is very noticeable in TV shows today, such as "Law and Order," and "NYPD Blue." 1948 B&W 79 minutes

HEARTS IN BONDAGE James Dunn, David Manners, Fritz Leiber, Mae Clark. First-time director Lew Ayres performs miracles on a minuscule  budget in this romanticized version of the events leading up to the battle between the "ironclads" Monitor and Merrimac. Northern naval officer Kenneth (James Dunn), the nephew of Monitor designer John Ericsson is dishonorably discharged when he sinks the Merrimac instead of burning it, as ordered. He is restored to duty as a crew member on the Monitor, and in the ensuing sea battle with the again commissioned Merrimac he kills Confederate officer Raymond (David Manners), the brother of Kenneth's fiancée Constance (Mae Clarke). The estranged sweethearts are ultimately reunited with the direct intervention of Abe Lincoln himself! The special effects of scale models in the climactic Monitor-Merrimac confrontation is both exciting and convincing. 1936 BW 72 Minutes.

HIS GIRL FRIDAY Cary Grant, Rosalind Russell, Ralph Bellamy. A remake of Front Page. Fast paced screwball comedy. Grant as conniving editor, Russell as star reporter (and his ex-wife), Bellamy as mama's boy she's trying to marry with a murder  story to be covered going on. Great  character actors make this a  must see film, scripted by Ben Hecht.

HITCH-HIKER, THE,  (1953 b/w) Edmond O'Brien, Frank Lovejoy and William Tallman star in this directed by Ida Lupino film noir classic concerning two men on a fishing trip who make the deadly mistake of picking up a psychotic killer.  1953 B&W Approx. 71 minutes  

HITLER DEAD OR ALIVE  Ward Bond, Paul Fix, and Warren Hymer. A team of ex-con bounty hunters go to Germany in search of Hitler. If they can find him, a million dollar reward is to be paid to them. Ward Bond has the distinction of being in seven of the hundred greatest films voted on by the American Film Institute, most of any thespian. This film was not among his finest accomplishments, but was a popular bit of war propaganda. 1942 B&W 70 minutes

HOLD THAT WOMAN James Dunn, Frances Gilford. A skip tracer--someone who collects late payments from people who've purchased appliances, etc., or takes them back them when they don't pay--repossesses a small radio from a deadbeat who's skipped payments. What he doesn't know is that a gang that has stolen diamonds from a Hollywood movie star has stashed them inside the radio, and they start hunting for him. 1940 B&W 67 minutes

HOLLOW TRIUMPH, THE,  Paul Henreid, Joan Bennett, Edward Franz. Killer assumes identity of a doctor. Tense melodrama. Paul Henreid is in every single scene of this movie, and it's hard not to think of him in his most famous role, and to impose that image onto this picture. Henreid's thick accent is a distraction that really robs this movie of some of its charm. But, the plot twists make up for everything. One takes place in a photo shop, and its significance is immediately apparent. The other is the ending which catches viewers by surprise. Joan Bennett is terrific here, as a cynical, vulnerable, rather sarcastic secretary who shows herself to be an astute judge of character, though not as hard-hearted as she'd have us believe. The moments when Henreid and Bennett are together on screen are magical. The ending is one of the best ever crafted see.  1948 B&W 83 minutes. USA

HOME TOWN STORY,  Marilyn Monroe, Jeffrey Lynn, Marjorie Reynolds.  Directed by Arthur Pierson. A politician has to change his mind about the evils of big business when his sister is caught in a cave-in. Blake Washburn blames manufacturer MacFarland for his defeat in the race for re-election to the state legislature. He takes over his uncle's newspaper to take on big business as an enemy of the people. Miss Martin (Marilyn Monroe) works in the "Herald" newspaper office. When tragedy strikes, Blake must re-examine his views.1951 B&W 61 minutes  

HOUSE OF MYSTERY  Ed Lowrey, George Hayes, Verna Hilie. Out of the Mystic Temples of Old India crept this terrible Monster ... to wreak vengeance of the Hindu Gods ... One by one its victims fell with not a trace of the bloody assassin. The movie begins in Asia (India) in 1913, where the main character (a Mr. Prendergast) kills a monkey, & then moves ahead to 1932-33 in the US, where the Curse of Kahli follows him. This is a solid old dark house kind of movie that has comic elements & a séance. It's a treat for fans of the Hopalong Cassidy B western series to see a 47 year young beardless George Hayes in a small role. There are lots of murders, several surprises, & the mandatory man in the gorilla suit. Chanda (played by Laya Joy, AKA Joyzelle Joyner), after an early stint in the movie as an exotic dancer (she's does a good job at that) walks around the rest of the movie zombie-like, almost speechless. Fans of the old dark house genre will certainly enjoy this one. 1934 B&W 62 minutes. 

IDENTITY UNKNOWN Richard Arlen, Bobby Driscoll, Cheryl Walker, Roger Pryor. A soldier survives a bombing in which his three fellow soldiers were killed. When he recovers he discovers he has amnesia, and since his companions' bodies were burned beyond recognition, the army doesn't know which one of the four he is. He goes AWOL and searches out the families of the three dead soldiers, hoping to find out his own identity. 1947 B&W 71 minutes.

IMPACT (1949, BW, 111 MIN) Brian Donlevy, Charles Coburn, Ella Raines, Helen Walker, Anna May Wong, Mae Marsh, directed by Arthur Lubin. Donlevy's wife and her lover try to bump him off but the lover gets it instead while Donlevy is injured in a car crash and suffers from amnesia. While recovering he falls in love with nice lady Raines. Then Donlevy regains his memory as his wife finds him, and life really becomes complex. Many twists and turns and some real surprises in this above average drama.  

In This House of Breede Dianna Rigg. A well-to-do London businesswoman gives up her comfortable life, including the man who loves her, to become a cloistered Benedictine nun. 1975 color 105 min.

In  Search of America Jeff Bridges, Carl Betz, Vera Miles and Sal Mineo. Directed by Paul Bogart. The late 60's was a different and frightening time and place. Adolescents and adults alike were questioning who they were, why they existed, and whether these gosh-darned flower children kids might just have something. This groovy time capsule movie shows all that as suburban Dad, Carl Betz, flower child Jeff Bridges, loose-as-a-goose grandma Ruth McDevitt take off for the road in search of America.1971 Color 

INNER SANCTUM  Charles Russell, Mary Beth Hughes, Billy House, Roscoe Yates, Fritz Leiber. A man fleeing the police after having committed a murder hides out in a boarding house in a small town. That sums up a  tidy little mystery from the late 40's with a good cast, directed by Lew Landers. A Seer (fortune-teller) brilliantly played by Fritz Leiber predicts that a young girl (Mary Beth Hughes) will encounter tragedy on a train. It all comes together when a man (Charles Russell) fleeing from the law for a murder hides out in a boarding house. Other than the gorgeous Miss Hughes and handsome Mr. Russell the boarders include the delightful Nana Bryant, feisty Lee Patrick, freckled faced kid Dale Belding and Billy House. Above-par B film fare especially for Noir fans. 1948 B&W 62 minutes

INVISIBLE AVENGER

JAMAICA INN  Charles Laughton, Maureen O'Hara, Leslie Banks, Mervyn Johns, directed by Alfred Hitchcock. Based on the novel by Daphne du Maurier. Laughton is a Victorian nobleman who heads a cutthroat band. O'Hara is beautiful and spirited, as usual. GB 1939, BW, 94 MIN  

JANE EYRE 1934) . . . Virginia Bruce and Colin Clive

Joe Panther  Brian Keith, Ricardo Montoblan, Cliff Osmond, Ray Tracy. A young Seminole Indian boy comes of age outside the Florida Everglades by trying to enter the establishment ( white man's world ). He gets work as crew member on ( Brian Keith's ) fishing boat, hunts for alligators and has cathartic encounters with bad guys trying to bring illegal aliens into Florida on fishing boats. 1976 Color 120 Minutes

Joe  (An American Original) Peter Boyle, Susan  Sarandon.Bill, A wealthy businessman, confronts his junkie daughter's drug-dealing boyfriend; in the ensuing argument, Bill kills him. Panic-stricken, he wanders the streets and eventually stops at a bar. There he runs into a drunken factory worker named Joe, who hates hippies, blacks, and anyone who is "different", and would like to kill one himself. The two start talking, and Bill reveals his secret to Joe. Tragic and bloody complications ensue.  1970 Color  (rated R)

JORY Robby Bensen, John Marley, Anne Lockhart and B.J. Thomas (Raindrops Keep Fallin' on My Head) A teen is forced to become a man, when he is left orphaned in the old west. Songster, B.J. Thomas, was effective as the expert gun handler who was unable to fire at another human even to protect himself. This is regarded Bensen's finest screen appearance. Directed by Jon Fons. 1972 Color 96 minutes (Violent)

JUNGLE MAN Buster Crabbe, Charles Middleton, Harry L. Fraser. An expedition sets out to darkest Africa to find the fabled City of the Dead, and must battle thick jungle, hostile natives, wild animals and a deadly epidemic. From PRC one of the Poverty Row Studios. 1941 B&W 63 minutes.

KATHERINE Sissy Spacek, Art Carney, Henry Winkler, Jane Wyatt.  A harrowing look at the 60s and early 70s through the eyes of Katherine Alman, a wealthy debutante who slowly, but inexorably spirals down into a fight for the causes that shook a nation, leading a path to the underground life. 1975 Color 125  Minutes.

KENTUCKY RIFLE (1956) Chill Wills, Lance Fuller, Cathy Downs, Jeanne Cagney, Sterling Holloway, Jess Barker. Stranded pioneers become the targets of a hostile Indian group, who will let them through their territory only if they give them their wagonload of Kentucky Rifles. Color.  Running Time: 82 mins.  

Kill Cruise   Elizabeth Hurley, Jurgen Pronchnow, Paty Kenset.  A washed-out German sailor, in a drunken state, agrees to take two British women from Gibraltar to the West Indies in his sail boat. Early into the voyage, they realize that it's not going to be plain sailing. 1990 COLOR 98 MIN

KING MURDER CASE, THE Richard Thorpe, Conway Tearle, Natalie Moorhead. The murder weapon is a poison phonograph needles. (OK class ... how many remember when phonographs has needles?) A beautiful blonde makes a career out of seducing and then blackmailing wealthy married men. She is found murdered after demanding a $5000 payoff from her latest victim, and the detective investigating the case finds out that she was involved in a lot more than just blackmail. 1932 B&W 67 minutes

LADY AND THE HIGHWAYMAN Hugh Grant, Oliver Reed, Michael York, John Mills, Emma Sands, Gordon Jackson, Claire Bloom. Based on Barbara Cartland's romance novel. The young lady Panthea Vyne falls in love with the handsome highwayman who saves her from her brutal husband. He kills him in a fair duel. Later on when Charles the 2nd is reinstated as King of England she attends the royal court. But here she becomes the enemy of the kings former mistress and the plot against her thickens. Gainsborough Pictures. Directed by John Hough/ 1989 Color 100 Minutes

LADY IN SCARLETT, THE  Reginald Denny, Patricia Farr.   When a wealthy art dealer is murdered, the private investigator hired for the case discovers a web of blackmail, corruption and stolen bonds. 1935 B&W 65 minutes.

LADY SAYS NO! 

LADY VANISHES, THE,  Director Alfred Hitchcock, Michael Redgrave. One of Hitchcock's finest British productions involving an unsolved murder mystery. GB

LAST TIME I SAW PARIS,  Directed by Richard Brooks. Elizabeth Taylor, Van Johnson, Walter Pigeon, Eva Gabor, Roger Moore. World War II G.I. relives his romantic memories. Charles returns to Paris to reminisce about the life he led in Paris after it was liberated. He worked on "Stars and Stripes" when he met Marion and Helen. He would marry and be happy staying in Paris after his discharge and working for a news organization. He would try to write his great novel and that would come between Charlie, his wife and his daughter.1954 Color 116 minutes.  

LAW OF THE LASH (1947) Director: Ray Taylor Lash LaRue, Al St. John, Lee Roberts, Mary Scott, Charles King, Jack O'Shea. Whip-wielding Cheyenne Kid and pal Fuzzy come to the aid of a lady shopkeeper with outlaw problems. B&W.  Running Time: 54 mins. 

LETTER OF INTRODUCTION  Edgar Bergan and Charlie McCarthy 

LIANE, JUNGLE GODDESS,  Marion Michaels, Hardy Kruger, Ed Tracy. An expedition discovers blonde 16 year-old Liane venerated by the native tribe in the African jungle and returns her to Hamburg where she is welcomed by her grandfather, ship tycoon Von Amelongen. His nephew Schoening, present head of the firm and prospective heir, tries all to stop his uncle from acknowledging her, including perjury, destruction of evidence, and finally resorting to murder. He dies in an accident driving his car into the river in his flight from the police. There is a subplot around a love quadrangle centered around Thoren, who is secretly loved by biologist Jacqueline who is in turn courted by Hungarian Tibor. Thoren plays paternal protector to Liane before succumbing to her youthful charm and returning with her to the jungle. German Production. 1956 Color 88 Minutes

LIFE WITH FATHER  William Powell, Irene Dunn, Elizabeth Taylor, Edmund Gwenn, Zazu Pitts.   In late nineteenth century New York a Wall Street broker likes to think his house runs his way, but finds himself constantly bemused at how much of what happens is down to his wife. His children are also stretching their wings, discovering girls and making money out of patent medicine selling. When it comes to light he has never been baptized and everyone starts insisting he must do so, it all starts to get a bit too much. The original play, "Life With Father", became the longest-running non-musical play of its time. It played on Broadway for nearly eight years, from 1939 to 1947, and the film version was released the year that the Broadway run ended. 1947 Color 118 minutes

LITTLE LADIES OF THE NIGHT David Soul, Lou Gossett Jr., Carolyn Jones, Vic Tayback, Linda Purl. The sister of ex-pimp and current Los Angeles Police detective Kyle York (David Soul) was murdered working the streets a few years ago. Since his reform, he has teamed with Officer Russ Garfield (Louis Gossett Jr.) to clear the streets of under-age girls working in prostitution. Pretty, young runaway Hailey Atkins (Linda Purl) has been turned out. Down deep she wants to go straight but has had great difficultly escaping her pimp and doesn't even have a place to go. York and Garfield go out on a limb to try and help. Made for TV Arron Spelling Production for ABC. 1977 Color 120 Minutes

LITTLE PRINCESS, Shirley Temple, Cesar Romero. Arthur Treacher, Richard Greene, Anita Louise, Ian Hunter. In Victorian England little Sara Crewe's widowed father is sent to the Boer War. When he is reported killed the evil head mistress at her boarding school turns Sara into a servant. She suffers with dignity until her shell-shocked father returns. One of Shirley's best performances with a wonderful cast of supporting players. This is the only Shirley Temple film made in Technicolor. 1939 91 Minutes. Stunning 35mm master print

LOVE FROM A STRANGER

MADE FOR EACH OTHER (1939, BW, 93 MIN) James Stewart, Carole Lombard, Charles Coburn, Lucille Watson, Ward Bond, Louise Beavers, directed by John Cromwell. First rate three hankie special with comic elements to help dry the tears. Stewart and Lombard are newlyweds with interfering in laws and a difficult boss (Coburn). Their baby gets deathly ill on New Year's eve and Stewart must beg Coburn for a loan to buy medicine. Thanks to some fine performances, this movie works.

MAN WHO KNEW TOO MUCH, THE,  Director Alfred Hitchcock with Leslie Banks, Edna Best, Peter Lorre.  1932 B&W  76 minutes GB

MAN WITH THE GOLDEN ARM, Frank Sinatra, Eleanor Parker Darren McGavin. One of Sinatra’s best film performances as a drummer trying to get off drugs who is implicated in a murder. One of the most dramatic endings ever on the screen. Music by Elmer Bernstein. 1955 B&W 119 Digital Remaster USA

MEET JOHN DOE Gary Cooper, Barbara Stanwyck and Edward Arnold. Directed by Frank Capra Cooper threatens to jump off the top of City Hall on Christmas eve. This film offers a standing rebuke to critics who use the term "Capracorn". None of Capra's films are as blindly optimistic as is often argued, but this one is a pitch-black jeremiad against manipulation by the media. The mob scene at the "John Doe" convention is one of the powerful scenes ever filmed. Stanwyck is incredible as reporter Anne Mitchell. She is one of the great actresses of the century, and she always did her best work Capra, whose female characters are generally more compelling to the women we get in the movies of our "liberated" era. Cooper is fantastic as a truly "average" guy who is "awakened" by his experience with the John Doe movement, and Edward Arnold is absolutely terrifying in the role of Fascist D.B. Norton. This film is even more relevant today than when it was made, and I would argue that it should be viewed in high schools across the continent. Capra is asking his viewers to think critically of EVERYTHING they hear on the radio or see in papers or hear from elites. 1941  B&W 135 minutes  

MIDNIGHT PHANTOM, THE Reginald Denny An Unseen Hand Spreading Terror. A newly hired police chief vows to clean up a notoriously corrupt police department. When he is murdered, investigators find that there is no shortage of suspects, most of them being fellow cops. 1935 B&W 63 minutes

MILKY WAY, THE (1936, BW, 87 MIN) Harold Lloyd, Adolphe Menjou, Helen Mack, Verree Teasdale, Lionel Stander, directed by Leo McCarey. A timid milkman accidently knocks out a champion fighter, and is "discovered" by a fast talking promoter. Before he knows what hit him, the poor thing is in the ring fighting to stay alive.  

MOON AND SIXPENCE, THE George Saunders, Herbert Marshall, Boris Dudley Loosely inspired from Gauguin's life, the story of Charles Strickland, a middle-aged stock brocker who abandons his middle-classed life, his family, his duties to start painting, what he has always wanted to do. He is from now on a awful human being, wholly devoted to his ideal: beauty. "The Moon and Sixpence" is George Sanders first starring movie and it hits a home run. Some scenes in color and some in black and white. The films music was nominated for an Academy Award. 1943 B&W and Color 89 minutes. 

MR. ROBINSON CRUSOE (1932, BW, 69 MIN) Douglas Fairbanks, William Farnum, Earle Browne, Maria Alba directed by Edward Sutherland. Fairbanks plays a wealthy bored playboy who bets his friends that he can survive on a south seas island as the fictional Robinson Crusoe did. He builds a tree house looking like a Park Avenue penthouse, and finds a girl Saturday to look after some of his needs. Filmed on Tahiti.  

MURDER AT THE BASKERVILLES (1941, BW, 66 MIN) Ian Fleming, Arthur Wontner, Lyn Harding, directed by Ian Fleming. Sherlock Holmes is summoned by his old friend Baskerville when a prized race horse, Silverblaze, has been stolen and his groom murdered. Fleming went on to write the James Bond books. aka "Silverblaze" (GB)  

MURDER BY INVITATION Wallace Ford, Marian Marsch. This  film is one of those Old Dark House murder mystery films that Hollywood was so fond on in the 1940s. This B movie stars Wallace Ford as a popular newspaper columnist and Marian Marsh as his secretary/girlfriend. The relatives of a rich old woman unsuccessfully try to have her declared insane, so they can divide up her money. To show them that there are no hard feelings, she invites them to her estate for the weekend so she can decide to whom she actually will leave her money when she dies. Soon, however, family members begin disappearing. 1941 B&W 67 minutes.Murder in Soho

MURDER IN SOHO Jack La Rue, Googie Withers, Francis Lister, Sandra Storme. The rapid-fire story of an underworld mobster with a social bee in his bonnet and a rod on his hip! The Cotton Club in London's Soho district is operated by American gangster Steve Marco (Jack La Rue) who, when Joe Lane (Francis Lister) threatens to tell the police of his past, has no qualms about killing him as he figures if he could outwit America's G-Men, he has little to fear from Scotland Yard. Joe's body is found in Greek Street, and Inspector Hammond (Martin Walker) questions everybody employed at Steve's club where Joe was last seen. The investigation yields nothing until dance hostess Ruby Lane (Sandra Storme), wife of the murdered man gives away a vital clue - a priceless string of pearls he had been teasing her with that Hammond decides is now in possession of the killer. Ruby, acting on orders and with Steve watching her, breaks a string of imitation pearls which Steve promptly offers to replace, much to the chagrin of newspaper reporter Roy Barnes (Bernard Lee) who is in love with her. Steve takes Ruby to dinner at his flat where he gives her the promised pearls. Later, at the club, she gives them to Barnes to give to Inspector Hammond but is seen by two of Steve's henchmen. They follow Roy, take the pearls away from him and leave him unconscious in a taxi. Steve refuses to believe that Ruby is double-crossing him, but agrees to put her to a test. 1939 B&W 70 minutes.

MURDER IN THE NIGHT Jack Larue.  Sandra Storme. The Cotton Club in London's Soho district is operated by American gangster Steve Marco (Jack La Rue) who, when Joe Lane (Francis Lister) threatens to tell the police of his past, has no qualms about killing him as he figures if he could outwit America's G-Men, he has little to fear from Scotland Yard. Joe's body is found in Greek Street, and Inspector Hammond (Martin Walker) questions everybody employed at Steve's club where Joe was last seen. The investigation yields nothing until dance hostess Ruby Lane (Sandra Storme), wife of the murdered man gives away a vital clue - a priceless string of pearls he had been teasing her with that Hammond decides is now in possession of the killer. Ruby, acting on orders and with Steve watching her, breaks a string of imitation pearls which Steve promptly offers to replace, much to the chagrin of newspaper reporter Roy Barnes (Bernard Lee) who is in love with her. Steve takes Ruby to dinner at his flat where he gives her the promised pearls. Later, at the club, she gives them to Barnes to give to Inspector Hammond but is seen by two of Steve's henchmen. They follow Roy, take the pearls away from him and leave him unconscious in a taxi. Steve refuses to believe that Ruby is double-crossing him, but agrees to put her to a test. 1939 B&W 70 minutes

MUTINY IN THE BIG HOUSE  Charles Bickford, William Nigh, Barton MacLane. A young man forges a check in order to help his mother, but is caught and sentenced to 14 years in prison. The prison chaplain, seeing that the new arrival is a good man who's had some bad luck, sets out to help keep him out of trouble so he can serve his sentence and get out. However, his cellmate, a hardened con, sees the chaplain's interest in the young convict as something he can use in his planned jailbreak. 1939 B&W 83 minutes

MY LOVE FOR YOURS (1939, BW, 99 MIN) Fred MacMurray, Madeline Carroll, Allan Jones, directed by Edward H. Griffith. Fred is so sure of his prowess as a suitor that he takes on the challenge of pursuing a cool sophisticated businesswoman. AKA "Honeymoon in Bali"

MY MAN GODFREY (1936, BW, 93 MIN) William Powell, Carole Lombard, Gail Patrick, Alan Mowbray, Mischa Auer, Alice Brady, directed by Gregory La Cava. One of the best of the "screwball" comedies of the 1930's. Powell is found by Lombard and Patrick in a vacant lot on the lower east side, and is presumed by them to be one of the depression era's "forgotten men". He returns with Lombard to a society party and is presented as such. Lombard then hires him as her families' butler and he proceeds to teach them all a lesson or two in humility with great style and high humor.

Night of the Shark Treat Williams. John SteinerJanet Agren. , Under sea  adventure and betrayal. David must fight for his life against the gangsters who killed his brother for a CD filled with proof of their illegal activities. When David gets possession of the CD they go down to Mexico where David lives as a shark hunter. Who will get David first, the gangsters or the shark?  Color 1987  PG

NOTHING SACRED, Carole Lombard, Frederic March, Charles Winninger, Margret Hamilton, Fay Ray, Maxie Rosenbloom. Screwball comedy great. To redeem himself after a hoax, reporter Wallace Cook proposes a series of stories on doomed Hazel Flagg. Hazel discovers she really doesn't have radium poisoning, but still accepts the big fling in New York that Cook offers her. At first, she has a great time, but complications arise when she and Wally fall in love, and a German specialist discovers that Hazel is faking.  (1937 COLOR 75 min) Stunning 35mm print.

OF HUMAN BONDAGE  Leslie Howard, Bette Davis, Frances Dee, Kay Johnson, Reginald Denny, Alan Hale, directed by John Cromwell. This is far and away the best screen version of Somerset Maugham's semi‑autobiographical novel of a club footed doctor's infatuation with a tawdry scheming waitress. She manipulates him cruelly, humiliates him, and rejects him. Only her eventual death from syphilis releases him from her bondage. This role made a star of Bette Davis. 1934, BW, 83 minutes

OFFICER 13 Mickey Rooney, George Melford, Monte Blue, Lila Lee. A motorcycle policeman's partner is deliberately run off the road and killed by a member of a syndicate that controls the gambling--and much of the justice system--in his town. When the killer is freed because of perjured testimony and the corrupt legal system, the dead officer's partner quits the force and vows to bring the killer to justice. 1932 B&W 62 minutes

OPEN SECRET 

OUR DAILY BREAD (1934, BW, 75 MIN) Karen Morly, Tom Keene, Barbara Pepper, directed by King Vidor. Story of a group of homeless people who form a commune on a farm owned by Mary and John Sims during the depression. A new face on the farm tempts John who leaves it all behind but wait, he finds a new source of water that can save the farm. Will he to back to his family, will he keep running with Sally?  

OUR TOWN William Holden, Martha Scott, Beulah Bondi, Thomas Mitchell. Thornton Wilder's Pulitzer Prize Winning play put to the screen. Their love was the talk of the town. A laid back look at the lives, trials and tribulations of the citizens of a small New England town. Of course, the point is that each life tells a story. Change comes slowly to a small New Hampshire town in the early 20th century. People grow up, get married, live, and die. Milk and the newspaper get delivered every morning, and nobody locks their front doors.1940 B&W 90 minutes.

OUT OF THE BLUE,  Virginia Mayo, George Brent. George Brent  Brent is in trouble when far from innocent young woman is discovered unconscious in his apartment. First rate comedy. From our own stunning 35mm print. 1947 B&W 84 minutes

OUTLAW, THE Jane Russel, Jack Buetel, Thomas Mitchell, Walter Husten. Newly appointed sheriff Pat Garrett is glad to see his old friend Doc Holliday arrive on the stage. Doc is trailing his stolen horse, and it is discovered in the possession of Billy the Kid. In a surprising turnaround, Billy and Doc become good friends. This causes the relationship between Doc and Pat to sour. The friendship between Doc and Billy the Kid grows stranger when Doc hides Billy at his girlfriend's place after Billy is shot. Rio falls for Billy, although her treats her poorly. Interaction between these four is played out against an Indian attack before a final showdown reduces the group's number.  Digtial Master. 1943 B&W

Pancho Villa Telly Savalas. Clint Walker, Chuck Connors.  Mexican revolutionary Pancho Villa is double-crossed in an arms deal planned by his comrade Scotty. Villa and Scotty plot a raid on a U.S. cavalry fort in retaliation. Based on the historical character's real story. 1972 Color

PASSPORT TO PIMLICO,  Margaret Rutherford, Stanley Holloway. The citizens of Burgundy withdraw from the British Isles in this madcap comedy.  B&W 81 minutes GB  

PENNY SERENADE Cary Grant, Irene Dunn, Beulah Bonid, Edgar Buchanan A couple adopts after they  lose their own child. Very tender film. As Julie prepares to leave her husband Roger, she begins to play through a stack of recordings, each of which reminds her of events in their lives together. One of them is the song that was playing when she and Roger first met in a music store. Other songs remind her of their courtship, their marriage, their desire for a child, and the joys and sorrows that they have shared. A flood of memories comes back to her as she ponders their present problems and how they arose. Irene Dunn often said that this was her favorite film because it reminded her of her own adopted daughter. 1941 B&W 119 minutes.  

PHANTOM BROADCAST

PORT OF MISSING GIRLS   Harry Carey, Milburn Stone, Judith Allen.  A woman framed for a murder she didn't commit stows away on a freighter headed for an island in the South Seas known as a hideout for people on the run from the law. The ship's radio operator finds her and falls in love with her, promising to help her get to the island. However, things take a turn for the worse when another couple recognize the woman, and as she is about to escape the ship she learns of a plot to rob the freighter and its crew. 1938 B&W 65 minutes

PRISON TRAIN  Fred Keating, Alexander Leftwich, Clarence Muse, Dorothy Comingore. Frankie Terris (Fred Keating) and Mannie Robbins (Alexander Leftwich) are the two most powerful gangsters in their city. Frankie has a young sister, Louise (Dorothy Comingore as Linda Winters), whom he has kept at a boarding school away from the stench of his racketeering. Mannie's young son, Joe (James Blakely), is also ignorant of his father's profession. Louise and Joe meet, and Joe tries to make love to her. Frankie interrupts and, in a fight that follows, kills Joe. Mannie vows to get Frankie. The latter, sentenced to Alcatraz, fears for Louise's safety and makes her promise to take a trip abroad. Louise learns that Mannie plans to shoot Frankie on the train taking him to prison, and she stows away in hopes of warning her brother. On the train, she falls into the protective arms of Federal Agent Bill Adams (Peter Potter as William Moore.) Before she has a chance to warn Frankie, Mannie's henchmen go to work and a gangland shootout ensues. Very unusual for a pre-war movie, a black actor has a serious role, not a Steppin Fetchit-class harmless display of buffoonery to insure no bigot will be discomfited. Clarence Muse, a veteran actor eventually inducted into the Black Film-makers Hall of Fame, is a sinister dining car steward in league with the vengeful father. His role is important to the murder plot and he's not subordinated to the other criminals. Muse, who isn't too well known to most moviegoers, made very many films almost up to his 1979 death and he was a staunch advocate for equal opportunity for blacks. AKA Public Enemy. 1938 b&w 64 minutes.

PRIVATE BUCKAROO (1942, BW, 68 MIN) Joe E. Lewis, The Andrew Sisters, Dick Foran, Donald O'Connor, Peggy Ryan, Jennifer Holt with the Harry James Band, directed by Edward Cline. An army camp show is the focus of this fun musical. Features a rousing production number built around the World War Two hit song "Don't Sit Under The Apple Tree" with the Andrew Sisters.

PRIVATE LIFE OF DON JUAN, THE,   Douglas Fairbanks, Merle Oberon. A swashbuckling action - adventure casts Fairbanks as the legendary lover. 1934 B&W 92 minutes.

PRIVATE LIFE OF HENRY THE VIII, THE,  Charles Laughton, Robert Donat, Merle Oberon. Highlight of this lavish production is Laughton's great performance which captured the 1933 best actor Oscar. 1933 B&W 97 minutes  GB    

RAW DEAL Dennis O'Keefe, Raymond Burr, Claire Trevor, John Ireland. Anthony Mann stylishly directs this jailbreak, film noir thriller. Dennis O'Keefe is the escapee who is taking the rap for his crime boss, Raymond Burr. Burr is responsible for springing him, but only with the hope that he gets killed in the attempt and is thus silenced. O'Keefe's dame is assuredly played by Claire Trevor, who helps him through the road blocks and dragnets, but is severely jealous once another woman enters the picture. John Alton's cinematography perfectly captures the noir-like atmosphere of San Francisco as does Trevor's voice-over narration accompanied by the haunting sound of a theremin playing. Joe Sullivan is itching to get out of prison. He's taken the rap for Rick, who owes him $50 Grand. Rick sets up an escape for Joe, knowing that Joe will be caught escaping and be shot or locked away forever. But with the help of his love-struck girl Pat and his sympathetic legal caseworker Ann, Joe gets further than he's supposed to, and we are posed with two very important questions: Is Joe really the cold and heartless criminal he appears to be, or is there a heart of gold under that gritty exterior? And does Joe belong with the tough, street-wise Pat, or with the prim, moralizing Ann?19478,  B&W 79 minutes.

ROYAL WEDDING Fred Astaire, Jane Powell, Peter Lawford, Kennan Wynn, Sarah Churchill. A dance act goes to London during the  time of Queen Elizabeth. Tom Bowen (Fred Astaire) and Ellen Bowen (Jane Powell) are singing and dancing siblings whose agent Irving Klinger (Keenan Wynn) sends them to do their musical act in Great Britain.Keenan Wynn plays also Irving's British twin brother Edgar.Ellen falls in love with a man she meets during the ship trip.This man is called Lord John Brindale (Peter Lawford).Tom finds his sweetheart from Britain. That lucky gal is Anne Ashmond (Sarah Churchill) who is dancing at Tom's musical Royal Wedding from 1951 is a delightful romantic musical comedy.It is great entertainment from the beginning to the end.It has many memorable scenes. Astaire performs the most famous dance routine ever filmed dancing on the walls and ceiling in the classic MGM film. Brilliant Color (Digital Remaster) 1951 Color 93 minutes USA  

RUPERT THE GREAT, Jimmy Durante This is a heartwarming holiday classic about a New York family (led by Durante) who is down on their luck at Christmas time. Shortly before Christmas, they move into a ground floor apartment where Rupert the squirrel lives in the attic rafters. Just when it seems that the holiday will come and go without so much as a Christmas tree, Rupert acts as the family's guardian angel, not only saving Christmas, but changing their lives forever. The film is enlivened with the warmth and sweetness of an unforgettable love story between Terry Moore (of Mighty Joe Young) and Tom Drake (of Meet Me in St. Louis). Rupert the Squirrel (created using George Pal's Academy Award winning animation technique) will charm young and old alike. Jimmy Durante shines when he sings Jingle Bells and other well-loved Christmas carols in the evocative voice that made him one of America's recording legends. 1950 B&W 87 minutes

SABOTAGE,  Dir. Alfred Hitchcock, Oscar Horriolka, Sylvia Sidney, John Lodger. Hitchcock's tale of a saboteur who masquerades as a theatre manager. Suspense classic. 1936  B&W 76 minutes GB  

SALT OF THE EARTH (1954, BW, 94 MIN) Juan Chacon, Will Geer, Rosaura Revualtas, directed by Herbert Biberman. This is a true story with real-life union leader Chacon playing himself. When the Mexican-American miners in 1950's New Mexico go on strike for safe and humane working conditions, the mine owners get an injunction preventing them from forming picket lines. Showing great courage, their wives take their places while the men stay home and do the "women’s work". Long before anyone invented the word "feminism" these women made a powerful statement about human rights. The film was made under nearly impossible working conditions in that the local officials were told by the Hollywood establishment that it was to be a communist propaganda piece and they did all they could to stop it. Director Biberman , Star Greer, producer Paul Jarrico and screenwriter Michael Wilson were all black-listed when this was made, but the film itself, along with its making, represents the very finest of the art and the human spirit.

SANTA FE TRAIL (1940, BW, 110 MIN) Errol Flynn, Ronald Reagan, Olivia de Haviland, Raymond Massey, Alan Hale, Ward Bond, Van Heflin, directed by Michael Curtiz. Wonderful action as Jeb Stuart, Flynn, and cohorts go after John Brown, Massey. Ronald Reagan plays Flynn's West Point classmate and romantic rival, George Armstrong Custer, a role Flynn himself later played.  

SHADOW ON THE STAIRS Turhan Bey, Frieda Inescort Paul Cavanagh, Miles Mander. Occupants of a London boarding house become suspects as a string of murders are discovered. With a cast like this, a B-movie mystery just can't miss. But first you must skip over the juvenile leads, both male and female, and look beyond them to the talented, polished and very-experienced supporting cast. Frieda Inescort, past her girlish good-looks stage, gives an outstanding performance as the duplicitous, cheating landlady of the boarding house where the murder takes place. Turhan Bey, then a young actor of considerable skill with an already notable acting history, plays another ethnic role-- the sort in which he was most typecast- that of the mysterious "easterner" --turban and all. Veteran actors Paul Cavanagh and Miles Mander (both of whom you may recognize in solid supporting roles in more than one of Universal's 'Sherlock Holmes' films) round out this superb cast. This is a fun low budget effort, with an able cast, a crazy plot-line (why not?), and a few hysterical scenes (like the boarder who won't talk to the police because she's lost her false teeth). 1941 B&W 64 minutes 

SHERLOCK HOLMES AND TERROR BY NIGHT (1946, B&W, 51 minutes) Basil Rathbone, Nigel Bruce, Alan Mowbray, Mary Forbes. Holmes and Watson are hired to protect the Star of Rodesia a gigantic diamond on it’s journey via a high speed train to it’s vault in Edinburgh. The train becomes the setting for a jewel theft, poison darts and a murderous killer dwarf.

SHERLOCK HOLMES AND THE SECRET WEAPON  (1942, B&W, 90 minutes.) Sherlock Homles and Watson (played by Basil Rathbone and Nigel Bruce, the actors who performed the role on radio) solve the crime of a Swiss Scientist captured by the Nazi’s and their collaborator Professor Moriaty before the Germans can steal bombsite on which the outcome of World War II hangs.

SHERLOCK HOLMES AND THE WOMAN IN GREEN (1945, B&W, 68 minutes) Basil Rathbone, Nigel Bruce, Henry Daniel, Hillary Brook. Murder victims are found with their index finger’s missing. The trail leads to Professor Moriarty.

SHERLOCK HOLMES DRESSED TO KILL (1946, B&W, 72 minutes) Basil Rathbone, Nigel Bruce. Music boxes made in prison by inmates are where stolen engraving plates from the Bank Of England and hidden.

SHERLOCK HOLMES IN THE HOUSE OF FEAR (B&W) BasIL  Rathbone, Nigel Bruce. Seven rich men retire to a Scottish castle and promptly begin to die in violent fashion. This is one of the better films of the series and is seldom seen. 1945 B&W 69 minutes  

SHOOT TO KILL 

SLIGHTLY HONORABLE 

SMALLEST SHOW ON EARTH  (1957 B&W 81 minutes) Peter Sellers, Margaret Rutherford  When a young married couple inherit a dilapidated old  theater in a small English town, they decide to sell it. However, Matt and Jean  Spenser quickly realize the offer made by a competing cinema is smaller than  the debts they have inherited along with the building. As a result, they come up  with a scheme to hold a grand reopening that they hope will drive up its value.  But Matt and Jean don't count on their three wacky employees who prove  they will go to any lengths to make sure the theater stays open. One of the  funniest films ever made and Sellers at his best. 

SON OF MONTE CRISTO, THE (1940, BW, 102 MIN) Louis Hayward, Joan Bennett, George Sanders, Florence Bates, Lionel Royce, Montagu Love. The son of Edmond Dantes comes to the aid of a duchess whose throne is threatened by a scheming general.

SOUTHERNER, THE (1945, BW, 91 MIN) Zachary Scott, Betty Field, J. Carrol Nash, Beulah Bondi, Bunny Sunshine, Estelle Taylor, Percy Kilbride, directed by Jean Renoir. An inherited beat up farm is the setting of this wonderful story of a family's struggle to make the best of their situation against overwhelming odds. The interaction among the characters and the way they meet every challenge is a heart warming experience.  

STAGE DOOR CANTEEN  Dozens of stars appear as themselves in this fun musical, including Judith Anderson, Kenny Baker, Tallulah Bankhead, Ralph Bellamy, Edgar Bergen, Ray Bolger, William Demarest, Gracie Fields, Helen Hayes, Katherine Hepburn, Jean Hersholt, Sam Jaffe, Allen Jenkins, George Jessell, Roscoe Karns, Tom Kennedy, Gypsy Rose Lee, Harpo Marx, Ethel Merman, Paul Muni, Merele Oberon, George Raft, Ethel Waters, Johnny Weissmuller, Ed Wynn. Plus Xavier Cugat, Peggy Lee, Benny Goodman, Kay Kyser and Guy Lombardo. "Dakota," a young soldier on a pass in New York City, visits the famed Stage Door Canteen, where famous stars of the theatre and films appear and host a recreational center for servicemen during the war. Dakota meets a pretty young hostess, Eileen, and they enjoy the many entertainers and a growing romance.1943 B&W 132 minutes.

STAR IS BORN, A (1937, COLOR, 111 MIN) Janet Gaynor, Fredric March, Ursula Kent, Adolphe Menjou, Andy Devine, May Robson, directed by William Wellman. A matinee idol turns to the bottle in response to his wife's heightened popularity in this classic script by Dorothy Parker. This is one of the very early films made in color.

STATE DEPARTMENT FILE  649 William Lundigan, Virginia Bruce, Johnathan Hale. Lundigan (later a TV host) plays in this indie docudrama about a state department attaché in China who gets mixed up in the Chinese Civil War. Fresh-faced Ken Seeley (Lundigan) arrives ready to work with Consul-General Reither (skeletal Frank Ferguson) at a remote American embassy, but finds all is not well when a Mongolian warlord (a sneering Richard Loo, clearly enjoying himself) occupies the grounds in an effort to evade the central government. Seeley attempts to outsmart the warlord, but in a surprisingly bittersweet and ominous finale, ends up his hostage instead. State Department File 649 is a fascinating glimpse at American attitudes toward China circa 1949. Though the Asian characters are depicted by Asian actors, they are laden with racist baggage. A rare example of the Cine color process. 1949 Cine Color 87 minutes

STRANGE LOVES OF MARTHA IVERS Barbara Stanwick, Kirk Douglas. Story of greed and murder.  A childhood secret resurfaces 18 years later with chilling effect.

STRANGER, THE Orson Welles, Loretta Young, Edward G. Robinson.  The head of the War Crimes Commission is seeking Welles, mastermind of the Holocaust, who has effectively erased his identity. A former comrade is released so he can be followed, but is killed berfore he can identify the Welles. Great suspense film with a first rate cast. Directed by Welles. 1948 B&W 94 minutes  

Street Fighter Sonny Chibua. Terry is a tough, mercenary, master of martial arts. When an important business magnate dies, leaving billions to his daughter. 1974 Color  91 Minutes

Subway  Christopher Lambert, Isabelle Adjani.  Fred is living in the Paris Metro system. He is blackmailing Helena, whose safe he has robbed. Fred has various 'friends' all living in this surreal setting. The Roller is a roller skating bag snatcher and Big Bill is a 'strongman'. The blackmail and Fred's relationship with Helena and her heavies make up the bulk of the plot but on the side are Fred's attempts to start a band using buskers from the Metro. 1985 COLOR 104 Made in France

SUDDENLY (1954, BW, 77 MIN) Frank Sinatra, Sterling Hayden, Nancy Gates, James Gleason, Kim Charney, Paul Frees, directed by Lewis Allen. Sinatra gives a chilling performance as a psychopathic killer leading a group of assassins in a plot to kill the President of the United States. Hayden is the sheriff of the small town of "Suddenly" where the assassination is to take place. One of Frank's best performances dominates this taut fast moving action drama.

THAT UNCERTAIN FEELING (1941, BW, 84 MIN) Merle Oberon, Melvyn Douglas, Burgess Meredith, Alan Mowbray, Eve Arden, directed by Ernst Leviticus. Douglas is happily married to Oberon. She is bored to tears and feeling neglected. Meredith, a flaky piano player, moves into their house, flirts with Oberon and they all wind up in the office of a divorce attorney.  

The Affair with Robert Wagner and Natalie Wood. It was love at first sight for Marcus Simon an attorney when he saw Courtney Patterson a 32 year old composer crippled by polio. Marcus tries to slowly and gently remove the emotion barriers Courtney built around herself and give them both a chance at love and happiness. 1973 Color 74 Minutes PG

The Agency Robert Mitchem, Lee Majors, Valerie Prine. Subliminal messages buried in TV commercials rig elections. Color 1981

The Ballad of Andy Crockett Lee Majors, Joey Heatherton, Pat Hingle. A returning Vietnam veteran finds out that his girlfriend has been forced into marrying someone else, his small business is in ruins and friends are in short supply. Anti war demonstrators branded these returning heroes as child murders, rapists and war criminals. And, how was your war? 1970 Color 80 minutes.

The Black Brigade Billy Dee Williams, Richard Pryor, Robert Hooks, Moses Gunn, Rossevelt Grier Glynn Turman. A redneck officer is put in charge of a squad of black troops charged with taking an important bridge from the Nazis. Made for TV by Arron Spelling who also shared the writing credits with David Kidd. (ABC Television) The best friend twosome of Pryor and Grier is formidable.1970 Color 90 Minutes.

The Black Godfather Rod Perry, Damu King, Don Chastain.There's A New Godfather In Town... ...and everybody wants his body - The F.B.I. ... some very foxy chicks... and the Mafia! 1974 COLOR 80 MIN

THE BLACK RAVEN George Zucco, Charles Middelton, Wanda McKay, Glen Strange.  A menagerie of persons converge at the Black Raven hotel, run by a man who makes a second living helping criminals escape over the US/Canadian border. When one of the guests is killed, and $50,000 is stolen from him, who did it? 1943 B&W 65 minutes

THE BLACK RAVEN George Zucco, Robert Livingston, Glenn Strange. Zucco is the proprietor of a creaky little inn (both he and the Inn are called THE BLACK RAVEN) and during the course of an hour's viewing time he plays host to an assorted group of unusual guests. It's a stormy night in town with thunder crashing and rain flooding the roads, and on top of that the bridge is out. Among the waterlogged patrons seeking shelter are: a formerly wronged business partner of Zucco's who'd like to kill him, an embezzler looking to get away with $50,000 stolen loot, a gangster who's also interested in said loot, a young couple looking to get married behind the back of the girl's objecting old father, and dad himself - who's also hot on their trail. 1943 B&W 65 minutes.

The Boy Who Had Everything Jason Connery, Diane Cilento, Lewis Fitz-Gerald, Ian Gilmour. College boy deals with hazing in Australian school in 1965 and  alcoholic mother.Australian Playwright Michael  Gow makes a rare screen appearance. 1984 Color 94 Minutes

THE BUSHWACKERS (1952)  Director: Rodney Amateau John Ireland, Dorothy Malone, Wayne Morris, Lon Chaney, Lawrence Tierney, Jack Elam, Myrna Dell, Frank Marlowe. Civil War veteran turns his back on his violent past, but is forced to reconsider when he comes to a small town run by bad guys Tierney, Chaney and Morris.  Written by Rodney Amateau. B&W.  Running Time: 70 minutes

The Con Artists Anthony Quinn, Adriano Celentano. It is not The Sting, it is in a way better, less elaborated and more amusing. Two con artists (Celentano and Quinn) bluff each other and anybody who happens to come across out of money and out of jail. Color 1976 105 minutes. Color 1976 88 minutes.

The Firing Line  Shanon Tweed, Reb Brown. Action and politics mix in this fast moving thriller. Reb Brown plays a military adviser who changes side and helps out the rebel when the rebel leader was killed without trial. Now he is on run with an innocent lady (Shannon Tweed) and teams up with the rebels to fight violent battles in this standard action film.1991 Color  93 Minutes,

The Girl That Came Gift Wrapper Farrah Faucett, Karen Valentine, Richard Long, Tom Bosley. A small-town beauty queen is hired, as a joke, as a "birthday present" for a magazine publisher. Spelling- Goldberg Production. Made for TV (ABC)  1977 Color 74 minutes 

The Glass House Alan Alda, Billy Dee Williams, Dean Jagger, Vic Morrow, Clu Gulagher,  A young guard and a college professor convicted of manslaughter both start their first day in prison. Color 1972 aka "Truman Capote's the Glass House".

THE JACKALS Vincent Price, David Waye, DIane Avarson. This western type action is actually set in South Africa. Six robbers gang up on a grizzled old prospector and his daughter. Directed by Robert Webb 1967 Color 105 Minutes

THE NAKED KISS Constance Towers Filmmaker Sam Fuller's creative writing, directing strength, and (indie) producing savvy continued to shine in "The Naked Kiss" 1964. It is the ultimate pulp fiction: high drama soap, touch of camp and tints of film noir. Beautifully shot in Black and White. Terrific cast with Constance Towers as Kelly, the central power of energy and charm, and undeterred determination; Anthony Eisley as Griff, the gruff, tough cop with a tender heart underneath; and the townsfolk of varying characters, nice and not-so-nice to downright sleazy, crooked ones, male or female, and a number of child performances for that matter. Yet with all this, there is a blossoming healthy, full of goodwill story about handicapped youngsters, being encouraged to stand up and be happy in spite of their weaknesses. The opening segment (before the title/credits roll) is in itself an emphatic revelation. Kelly truly wants to turn over a new leaf, and she readily shares and helps others without guile. She is no loser. She's our heroine of the story. Tearjerker? Certainly can be. Thriller suspense, too? Definitely. Will she be innocently proclaimed? Will the witness precious be found? We would root for her, our Kelly. She is so 'gung ho' and downright nice to everyone (but she can also stand up tough against the 'bad' ones). Fuller's script runs its own natural course with surprises and satisfying plot twists never lacking. AKA "The Iron Kiss". 1964 B&W 90 minutes

The Ratings Game with Danny Devito, Rhea Perlman, Barry Corbin. Cameo appearances by Jerry Seinfeld,"Kramer" and Norm from "Cheers". Huntz Hall of the Dead End Kids plays a faded TV star. Devito, with a  little help from the mob, rigs the ratings to become America's hottest TV star. (a.k.a. "The Mogul") Directed by Devito. Color 1984.

The Room Upstairs Strockard Channing, Sam Waterston Linda Hunt, Joan Allen, Clancy Brown, Sarah Jessica Parker. Stockard Channing shines yet again in The Room Upstairs, a sweet, heartbreaking little flick about Leah Lazenby, a landlady and special needs teacher who feels something is missing in her life. The final piece of the puzzle come in the shape of Travis Coles, a cello player portrayed by Sam Waterston. The Room Upstairs is notable for a dazzling performance by Stockard Channing, a strange little role for Sarah Jessica Parker (she has about four lines maximum) and an early glimpse of Joan Allen. It's a nice film that deserves a bit of recognition. 1987 Color 97 minutes.

The Seniors Dennis Quaid, Jeffery Byron, Gary Imhoff. Ben, Larry, Alan, and Steve are about to graduate from college. They are terrified of the prospect of actually having to work hard for a living, so they come up with a plan to support themselves as graduate research students by getting a foundation grant to study sexuality in college-age women. But despite their success at getting paid to bed down pretty girls, the work-load becomes too great, so they open the "study" to businessmen who pay to participate. 1978 COLOR Jeffery Byron, Gary Imhoff.

The Shooting Jack Nicholson, Millie Perkins, Warren Oates. Jack Nicholson and Monte Hellman went into the Utah desert to shoot two westerns, The Shooting and Ride In The Whirlwind, which have since become cult classics. Written by Adrien Joyce (Five Easy Pieces,) The Shooting tells the story of a former bounty-hunter turned gold miner (Warren Oates) whose partner is killed. He then, along with Will Hutchins, Millie Perkins and eventually Jack Nicholson, sets out on a manhunt that builds gradually to an existential, tragic, almost surreal ending.  1966 color 82 minutes.

THE SNOWS OF KILIMANJARO  Gregory Peck, Ava Gardner and Susan Hayward. As writer Harry Street (Gregory Peck) lays gravely wounded from an African hunting accident he feverishly reflects on what he perceives as his failures at love and writing. Through his delirium he recalls his one true love Cynthia Green (Ava Gardner) who he lost by his obsession for roaming the world in search of stories for his novels. Though she is dead Cynthia continues to haunt Street's thoughts. In spite of one successful novel after another, Street feels he has compromised his talent to ensure the success of his books, making him a failure in his eyes. His neglected wife Helen (Susan Hayward) tends to his wounds, listens to his ranting, endures his talk of lost loves, and tries to restore in him the will to fight his illness until help arrives. Her devotion to him makes him finally realize that he is not a failure. With his realization of a chance for love and happiness with Helen, he regains his will to live. One of the most famous films of the era. 1952 Color 117 minutes. USA   

The Squeeze, Lee Van Cleef, Karen Black, Roberta Alda, Lionel Standler, Edward Albert, challenged plays a retired safeman, who comes back from Mexico to New York to do one job for a friend's kid. Includes most of the cliches one would expect from a "last gig"- film, but redeems itself with nice NY locations, comedy (some intentional) and Lee Van Cleef being in it. 1978 Color 99 Minutes

THE STRANGLER OF BLACKMORE CASTLE, THE

The Swiss Conspiracy David Jansen, Ray Miland, Santa Berger, Elke Summer, John Ireland, John Saxon.  A story set in the glamorous-but-devious world of Swiss banking. When a Swiss bank finds that the confidentiality of some of its more vulnerable customers has been compromised it calls in an American investigator, who soon uncovers a web of deceit and blackmail. With old debts being paid off his own health is soon in danger, but at least he starts to gets to know one of the bank's female customers pretty well. This is a story laden with intrigues, conspiracies and white-collar crimes that turn ugly. Color 1976 90 minutes.

The Teacher Jay North, Angel Thompkins. Stars a teenage Jay North who played Dennis The Menace on TV. This is NOT for kids. Advertising says … Her Best Lessons Were Taught After Class She Corrupted The Youthful Morality of an Entire School! 1974 COLOR 98 MIN

THE TERROR  Alastair Sim, Bernard LeeArthur Wontner. From the pen of Edgar Wallace comes a fantastical little murder mystery that's very witty and breezy and a great deal of fun. This is the story of a spectacular gold coin robbery carried off by three men. Once its over, the mastermind, a man named O'Shea, turns his pals in and they go to prison vowing to get revenge when they get out. Ten years later they get out and go looking for O'Shea, and the gold, which has never turned up. At this point the film shifts gears to the happenings in and around an old monastery, now turned into a semi-boarding house. Strange people begin showing up, ghostly happenings begin occurring and finally people begin dying. 1938 B&W 70 minutes.

THE WOMAN HUNTER Barbara Eden, Robert Vaughn, Stuart Whitman, Sidney Chaplin, Larry Storch. A woman vacationing with her husband (who married her for her wealth) in Mexico discovers she is the target of an international killer. Made for TV. 1972 Color 90 Minutes

THE WRESTLER Ed Asner, Elaine Giftos, Dusty Rhodes, Lord James Blears, Superstar Billy Graham, Verne Gagne and Odd Job from the James Bond Movies.. An arrow-straight promoter whose once secure stranglehold on the wrestling world is being muscled in on by the mob and its hired henchmen on the mat. 1973 Color 95 Minutes

They Call It Murder Jim Hutton, Ed Asner, Leslie Nielson, Jessica Walter,  Lloyd Bouchner. Vic Tayback.. A small-town district attorney is saddled with several major investigations, including a gambler's murder and a possible insurance scam. Based on an Earl Stanley Gardner novel that exercises the grey-matter. Produced by 20th Century Fox and aired on NBC TV. 1972 Color 120 Minutes

THEY MADE ME A CRIMINAL (1939, BW, 92 MIN) John Garfield, Gloria Dickson, Claude Rains, Ann Sheridan, Huntz Hall, Billy Halop, directed by Busby Berkeley. A champion prizefighter takes it on the lam after he's led to believe he murdered a man in a drunken brawl.  

This House of Breede Dianna Rigg, Pamela Brown. A well-to-do London businesswoman gives up her comfortable life, including the man who loves her, to become a cloistered Benedictine nun. Color 1975 105 Minutes

THIS IS THE ARMY  Ronald Regan, Kate Smith, George Murphy, Irving Berlin.  In WW I dancer Jerry Jones stages an all-soldier show on Broadway, called Yip Yip Yaphank. Wounded in the War, he becomes a producer. In WW II his son Johnny Jones, who was before his fathers assistant, gets the order to stage a knew all-soldier show, called "This Is The Army". But in his peronal life he has problems, because he refuses to marry his fiancée until the war is over. Kate Smith Sings God Bless America in one of the most spectacular productions of the era. A Patriotic stand out! 1943 COLOR 121 Minutes

Thursday's Game Gene Wilder, Bob Newhart, Rob Reiner, Valerie Harper, Nancy Walker, Ellen Bursten. Norman Fell. Two friends keep seeing each other long after the regular Thursday night card game breaks up. Then the wives find out. Written by James L. Brooks Color 1974 

TIGER FANGS Frank Buck, Duncan Renaldo. Frank Buck stars as himself in this 1943 PRC classic. Frank is summoned to a remote area of India which is plagued by tiger attacks. Dozens of men have been killed. Many workers fear the spirits of dead Japanese soldiers have possessed the tigers and are continuing to fight. The immediate effect is to inhibit the movement of Allied war materiel through the region. Frank Buck teams with Peter Jeremy (Renaldo) to determine the cause of the unusual spate of attacks. They immediately suspect a human intelligence is responsible. It is soon evident that Nazi agents have infiltrated the area. They have a means of aggravating the tigers and then release them into areas they want to disrupt Entertaining jungle adventure. Viewers who enjoy low budget 1940s films will not be disappointed. 1943 B&W 9 minutes

TILL THE CLOUDS ROLL BY Judy Garland, Frank Sinatra, Lena Horne.  MGM musical on the life of Kern. Elaborate production numbers. Filling the screen are such stars such as Judy Garland, Frank Sinatra, Tony Martin, Angela Lansbury, June Allyson, Lena Horne, Katherine Grayson, Cyd Charisse, Ray McDonald amongst others singing and performing on stage, there's magic in the air. Robert Walker as Kern does prove likable enough in the lead role and there's an innocent charm at work in these proceedings. One of  the finest musicals ever made. (Our Digital Remaster from 35mm print.) 1974 Color 132 minutes 

Tim Mel Gibson, Piper Lori. Based on the novel by Colleen McCullough of Thornbirds fame. Tim is a young man with below average intelligence. He works as a builder's labourer, and is often taken advantage of by his fellow workers and other people. Mary asks Tim to work around her yard for a day. The day stretches into a few weekends, and the two soon become good friends. Some people, however, are suspicious of their friendship which seems to be continually strengthening, accusing Mary of taking advantage of Tim's innocence. Will changing circumstances in Tim's family life change his relationship with Mary? 1979 Color 109 Min

T-MEN,  Dennis O'Kieff, United States Treasury agents O'Brien and Genaro infiltrate a counterfeiting ring which has some dangerously good paper. This is supposedly based on several actual Treasury cases. Directed by Anthony Mann Film Noir great. B&W 1947  

TO KILL A MOCKINGBIRD Gregory Peck, Robert Duvall, Brock Peters, Harper Lee's Pulitzer Prize-winning autobiographical novel was translated to film. Set a small Alabama town in the 1930s, the story focuses on scrupulously honest lawyer Atticus Finch, played by Gregory Peck. Finch puts his career on the line when he agrees to represent a black man accused of rape. This film won Academy Awards for Best Actor (Peck), Best Adapted Screenplay. and Best Art Direction. 1962 B&W 129 Minutes.

TO THE LAST MAN Randolf Scott, Jack La Rue, Ester Ralston, Buster Crabbe, Gail Patrick, Noah Berry, John Carradine, Shirley Temple. In Kentucky just after the Civil War, the Hayden-Colby feud leads to Jed Colby being sent to prison for 15 years for murder. The Haydens head for Nevada and when Colby gets out of prison he heads there also seeking revenge. The head of the Hayden family tries to avoid more killing but the inevitable showdown has to occur, complicated by Lynn Hayden and Ellen Colby's plans to marry. 1933 B&W 70 Minutes 

TOPPER RETURNS Roland Young, Joan Blonde. Topper is haunted by beautiful girl who was murdered. He helps solve the mystery. B&R  

TRAPPED (1949, BW, 78 MIN) Lloyd Bridges, John Hoyt, directed by Richard Fleischer. The Secret Service uses ex-counterfeiter Bridges to infiltrate and break up a counterfeiting ring.  

TULSA (1949) Susan Hayward, Robert Preston, Pedro Armendáriz, Chill Wills, Ed Begley. Oklahoma Rancher's daughter becomes a ruthless crusader to save her murdered father's ranchland from encroaching oil fields. She teams up with a geologist who wants to protect Oklahoma from being devastated by oil drilling. Color.  Running Time: 96 minutes.

TWO DOLLAR BETTOR Edward Chan, Steve Brodie, Marie Windson. Tragic story, despite it's very contrived feel-good ending, about a kind and caring man who never gambled in his life get caught up with the evils of uncontrolled and compulsive horse betting that lead to him embezzling the bank that he was employed as the comptroller of some $16,000.00 and later end up killing two con artists, in a gunfight that ended up with him getting fatally shot, who took advantage of his desperate situation and ripped him off, in a betting sting, of another $20,000.00 that he stole from the comptroller safe. The story of John Hewitt, John Little, is like that of many sick and degenerate gamblers who end up not only destroying themselves but their family and friends as well by trying to make a quick buck at the racetrack casino or with their bookie. Widowed with two sweet teenage daughters that he would do anything for John worked in charge of the credit department in the biggest bank in Langsford and was a very respected man and pillar of the community. One afternoon John was invited by some of his friends to Langsford's Grandview Racetrack where for the first time in his life he made a bet at the urging of his brother-in-law George, Don Shelton, and ended up winning some $200.00 betting an jockey Eddie Osborne. With John winning over $500.00 the next few days on his bets on horses rode by Osborne his luck changes when the jockey falls in a bad spill at the track and then, betting other jockeys, ends up losing all his winnings as well as his life's saving and $14,000.00 of the banks money that he embezzled. With John later being promoted to bank comptroller which will triple his salary his books, in the comptroller office, were about to be audited and him possibly being indited for grand larceny, for the $14,000.00 he stole from the comptroller safe, John sees redemption of his criminal deed in the sports pages in that Eddie Osborne was back at the races and he was riding on the horse Great Day at the opening day feature, The Boyue Handicap,at the Bolraguard Racetrack in New Orleans. With his bookie not taking a $2,000.00 bet on Great Day to win John flies down to New Orleans to bet the horse himself and Great Day wins the race but is disqualified for impeding the placing horse, Conservasion, and put second with John losing all the money,$2,000.00, he bet on him. Completely financially destroyed and possible facing prison there's still one more surprise that is awaiting John and it has to do with his bookies go-between Mary Slate, Marie Windson, and her boyfriend Rick, Steve Brodie, who got the emotionally unstable John into a betting sting where he was induced to steal another $20,000.00 from his bank to put on a "sure thing" at the racetrack. John gets the jump on both Mary and Rick when he calls the sport phone and finds out that the horse that he bet, Rickety Racks, was scratched from the race but when he called Rick's hotel room, to get the $20,000.00 back, he found out that he checked out and later that Mary also quit her job with John's bookie. Getting to Mary's apartment before she and Rick take off for Acapulco, to get his $20,000.00 from the fleeing con artists, there's a shoot-out with both Mary and Rick shot and killed and John fatally wounded. As John drives,dying,to the house of his good friend and Langsford Bank president Charlston P. Adams,Robert Sherwood, and confesses the truth about what he did Adams promise's him that it would be a secret between both of them and that he'll tell the police that John was shot by a pair of crooks who robbed him of the bank money and with that the movie ends. "Two Dollar Bettor" shows just how far the men, as well as women, who are hooked on gambling would go to not only win but break even for what they lost at the racetrack. 1951 B&W 

UP IN THE AIR Howard Bretherton, Frankie Darro, Lorna Gray, Mantan Moreland. A none-too-popular radio singer, Rita Wilson (Lorna Gray) is murdered while singing on the air in a radio studio. Radio page boy, Frankie Ryan (Frankie Darro), and his janitor pal, Jeff (Mantan Moreland), solve the mystery for the none-too-sharp police. Frankie Darro and Mantan Moreland made several movie together in the 1930's and 40's where they were pretty much on equal footing with each other despite everything that was going on around them. They were the stereotypical buddies of the buddy film. Normally that wouldn't mean much except that Darro was white and Moreland was black and in every other film of their time no one could be as they were unless they both were white. Race has absolutely nothing to do with the plot of Up in the Air, which concerns a series of murders at a radio station. I mention the fact notion of race simply because the script for this movie was used two or three more times with out nary a change for white co-stars. 1940 B&W 62 minutes.

VENGEANCE VALLEY  (1951)  Burt Lancaster, Joanne Drum Robert Walker. Walker is cast as a cattle baron's worthless son.. Despite the presence of an attractive wife, the young boy favors an illegitimate son (by a local waitress), then changes the blame upon his stepson.  As the ranch foreman who rallies to Walker's aid, Lancaster made a strongly convincing hero. Joanne Dru played leads in a variety of films of the 40s & 50s but is best remembered as the feminine touch in Western Classics as Howard Hawks's "Red River" (1948) & John Ford's "She Wore a Yellow Ribbon" (1949) and "Wagon Master" (1950).  Set in the range country of the Rockies, Richard Thorpe balances the 'scandalous secret' with fast riding, shooting and cattle round-ups. Color 83 minutes.  

WAYNE MURDER CASE Regis Toomey, Phil Whitman, Ruth Hampton, Jason Robards Sr. Snow Flake Toons. A murder mystery of the Old Dark House variety. It has many of the clichés of the genre, but also avoids many of the usual clichés, & has an interesting storyline. June Clyde is cute & vivacious as a newspaper reporter. Regis Toomey is adequate as the police lieutenant. Dwight Frye is a bit nutty in a small roll (still recovering from his role in "Dracula"?) There are a couple of murders, but disappointingly, no secret passageways or doors & no thunderstorm. There is a mysterious figure walking around in oversized monk's robes, though, & that's pretty neat. Good effort by all. 1932 60 Minutes

Who am I Time with Susan Sarandon and Christopher Walken. As a play within a play (contains scenes from Streetcar Named Desire) it is a showcase for the range of these excellent actors -- Susan Sarandon and Christopher Walken. It is also a sensitive tale of lonely people finding each other and their hearts. Walken plays a hardware store clerk becomes the character he plays in a local little theater group. 1981 Color 60 minutes.

Who Shot Pat? Sandra Bulluck, David Knight, Kevin Otto, Arron Ingram. Directed by Robert Brooks. A 1950s period piece about a working class boy growing up in the Bedford-Stuyvesant section of Brooklyn. Although the film centers on a classic rich-girl-poor boy love story, it also presents a detailed portrait of high school life in the fifties through the emergence of racial tension and gang conflict. 1992 Color 111minutes.

 

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